Barfi is the new flavour of this festival season with film
critics and YouTube enthusiasts having developed a sweet tooth for the movie by
same name. They seem to be chomping on it with the same gusto as anchors of
foodie shows on TV.
The movie whetted their appetites after it got selected to
represent the country at Oscars. The movie makers in their pursuit for
'inspiration' have not even spared Korean and Japanese movies and quite
unknowingly ended up providing a 'globalised' spot-the-original-scene contest
for critics.
Plagiarism in Hindi and for those matter movies of any
Indian language is as old as hills. Movie makers had no qualms in lifting
themes, songs and their chances of getting caught was always as remote as noose around
Ajmal Kasab.
Within India also this link is incestuous. A Tamil filmmaker
may lift a story from Hindi movie, or a Malayalam film maker may lift it from
Tamil.
However film makers over the years have become craftier
about plagiarism. Gone are the days of lifting themes from just one film. Thus
we had a movie like 1970s hit Love Story, based on Eric Segal's novel having
'inspired' many in India. The result was Ankhiyon ke jarokhon se in Hindi and
Madanolsavam in Malayalam, which was also dubbed in Tamil as Paruva Mazhai. Now
thanks to internet and satellite television, they copy scenes from dozens of films and that too not just from Hollywood.
But little do these filmmakers know that internet can be a
double edged sword, as it has also made the viewers more savvy and hence their
chances of not getting caught has come down drastically. During licence-permit
raj days, very few could manage to travel abroad and even Hollywood films were
hardly screened beyond metro cities. Hence they could get away with this
daylight robbery on gullible film goers and those foreign filmmakers, whose
themes were lifted, somehow were either unaware or thought it was not worth the
trouble fighting legal battles amid India's heat and dust.
Lastly, the country's choice for Oscar entry for the Best
Foreign Language category always ranged from intriguing to downright silly. So far, barring Tamil movie Jeans, only Hindi films
have been chosen for that honour. Most often the chosen films have more to
do with star appeal and marketing potential than quality of acting or theme.
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