Working class heroes: Apna Time Aaa Gaya

Working class heroes have quietly carved a few sweet spots in the Bollywood box office. Actors like Ayushmann Khurrana and Rajkumar Rao with their boy next paan shop looks and non-filmy backgrounds have succeeded in becoming ‘bankable’ with their movies turning out to be money spinners.

In their movies they hold regular middle-class jobs - a private company executive or a government bureaucrat and move around in two-wheelers or not so fancy hatchbacks like a Wagon R or a Santro and live in very middle-class colonies and apartments. Their love lives also would be far from perfect and sometimes even their love interests need not have ‘heroine’ looks as in Dum Laga Ke Haisha.

However, both Ayushmann and Rajkumar partly owe their success to Amol Palekar, probably the first working class hero with a middle-class background in Bollywood. It was Amol Palekar, who in association with director Basu Bhattacharjee and Hrishikesh Mukherjee painstakingly carved a niche for such characters in the 1970s, when larger than life heroes held a vice-like grip over Bollywood box office.

During my childhood days in the 70s heroes were six-footers with drop-dead looks, while heroines dazzled us with their flawless skin and even more flawless aadarsh Bharatiya naari character, someone above all forms of suspicion.

Those movies were three-hour long dramas with highly formulaic plots, laden with distinctly black and white characters and copious running-round-the-trees duets. Needless to say, our young impressionable minds easily got hooked to it.

Along came Amol Palekar with his aam aadmi demeanour harried about the challenges of life. Back then it seemed sacrilegious to us that a hero could go about the whole movie without even getting involved in a single fisticuff; not court his lady love in fancy cars, but BEST buses and local trains; drive a rickety Lambretta scooter or Standard Herald car. No Impala or Ford Mustang car chases, no horse riding ... tsk tsk, how can he be a hero!! We wondered.

After some initial tut-tutting people started warming up to him thinking that cinema need not always be an escape from reality, a little dose of realism with a pleasant middle-class setting as a prop was welcome.

Then came guys like Naseeruddin Shah and Om Puri, and it led to further unlearning of our concept of heroes. They came with hard as nails reality and provided a peek into life in lower middle class and slum localities. It took a lot of time for people to appreciate their style of acting.

Their legacy was carried forward by the likes of Manoj Bajpai and now by Nawazuddin Siddiqui. However, though this particular category enjoys greater critical acclaim, its bankability in the box office is low.

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Goa: Weighed Down by Desi Beats

Goa has been a land of languid charm. It is how it has been picturized in cartoons by Mario Miranda and mainstream Bollywood movies. While early Bollywood movies had easy going happy-go-lucky anglo-Indian characters longing to go back to Goa, or some wine drinking, cigarette smoking vamp with names like Suzy or Rosy (often played by Helen), who stood as a foil to the sanskari heroines; the new ones show new age millennials from Mumbai and other cities heading to its famous beaches to let their hair down.

I never had the fortune to visit Goa during its halcyon day of the 1970s, the high noon of its much-vaunted hippie counter-culture, as I was still in school. The now-defunct Illustrated Weekly of India and Caravan, in its earlier avatar, used to sometimes carry photo features of hedonistic life in Goa, the annual carnival and the King Momo.

It stood in stark contrast to the social mores, steeped in prudery, of the rest of the country. As if to make up for all that monkish deprivation, now every domestic tourist visiting Goa hopes to see the fruition of the fantasy he had nurtured after seeing those magazines or watching films.

Though the emergence of Kerala and coastal Karnataka as tourism destination took some sheen off Goa, the erstwhile Portuguese colony still retains its charm as its society is more open and permissive than in other parts of India, especially with regard to dressing and drinking.

While it has been a repeat holiday destination for many, I happened to go there only twice - first in the 1990s and then this year. In the 90s itself, it was facing the onslaught of domestic tourists(especially those from the cow belt), but Goa back then was somehow holding on to its Western ethos. Moreover, those were early days of satellite television and the hold of MTV and Channel V was quite strong.

During the evening boat cruise on Mandovi river at Panjim, the musicians back then used to play the popular MTV pop chart busters such as Cecilia, the boy bands - Backstreet Boys and Boyzone and of course Michael Jackson.

The audience comprised people from the rest of India with some extended families, including grandparents in some cases, and north Indian newlywed couples with women wearing the traditional red and white bangles right up to elbows. It used to be a pretty uptight affair with the audience listening or foot tapping as the musicians played along.

Even the dress code observed by domestic tourists back then was pretty formal with most women wearing salwar kameez and men clad in shirts and trousers or jeans. Skin show? - Leave it to foreigners.

The boat cruise this year was a boisterous affair, bordering on riotousness, with DJs belting out latest tapori Bollywood numbers, the one to which a Ranveer Singh or Arjun Kapoor may gyrate to on screen and the crowd was more than eager to shake a leg. The compere was talking only in Hindi and exhorting them to come to the stage as they have come to Goa to 'enjoy'.

The dress code too had undergone a drastic change. Young brides still adhered to traditional red and white bangles, but salwar kameez and sarees have given way to tank tops, capris and even hot pants, to make the most of the short respite from Sanskari mores of their home towns. There were also much fewer extended families in sight.

Another major game changer was the mobile phone. My last visit was during pre-cellphone and even pre-digital camera days. One had to keep in mind the number of clicks and the exposures left on the film roll. 

Hence narcissism back then was purely mirror-centric and the word selfie was not even coined. But now thanks to smartphones and social media it has spilled over to the streets and every public place. In short, the selfie affliction has reached pandemic proportions. Every hawker or knick-knack seller had a small stock of selfie sticks to cash in on this obsession.

The beaches were swarming with those looking for the fulfillment of their long-held fantasies triggered by yesteryear movies like Dum Maaro Dum or Dil Chahta Hai, or more recent Dear Zindagi. I visited the Candolim beach (it happened to be a Sunday) and it resembled Mumbai's Chowpatty Beach during Ganesh immersion festivities or Chennai's Marina Beach on Kaanum Pongal. With free-flowing alcohol unshackling them from their repressions, the crowd was noisy and unruly, with some ugly brawls thrown in.

While driving through Goa I was quite fascinated to see some old tiled roof mansions with Portuguese sounding names beginning with words like 'Casa' and 'Cidade'. But like most ancestral homes they were well past their glory days. Some were so dilapidated that they gave the impression that no human habitation has taken place for decades. They had missing roofing tiles, moss-ridden walls and the front courtyard had lavish toppings of dry leaves accumulated over the years.

The whole state seems to have turned into a road contractors' Mecca with road widening, concretization in full swing in many stretches. I was also quite baffled by the number of flyovers being built, though the traffic volumes on Goa's streets and highways seemed hardly compelling enough to warrant it.

The copious Mandovi river already has two bridges and now a third one was complete. With pillars 15 metres taller than that of existing bridges, this cable-stayed bridge looks too imposing and appears to be a clone of the famous Golden Gate bridge of San Francisco. I am sure that for future tourists it is going to be a mandatory prop for photo ops.

However, concerns are being raised about its environmental impact as the starting ramp of the bridge at one end begins on a mangrove. Moreover, some construction experts have raised doubts about whether the bridge will be able to cope with the 'wind load', especially during monsoon months when the wind speeds are high.

Lastly, those who are fond of fish and seafood, Goa is a place worth checking out as the options are sumptuous. Burp!

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